A specialist in the oratorio repertoire, tenor Gene Stenger’s solo…
Edmund Milly brings “perfect diction” (Los Angeles Times) and…
A “superb vocal soloist” (The Washington Post), tenor Steven Soph…
Mezzo-soprano/alto Laura Williams is passionate about performing and…
David Kurtenbach, tenor, described as having a voice “lined with…
Jessica Garthe, soprano, currently is a full-time music teacher at…
Margaret Carpenter Haigh is a versatile artist, with repertoire…
Jay Carter has gained recognition as one of the nation’s finest…
Originally from the Charlotte area, tenor Robert Jones has a varied…
Jason Steigerwalt is an American baritone with an active career in…
Recognized by The Boston Globe as “a name to keep an eye on”, soprano…
A Charlotte native, Michael H. Trammell is a highly sought after tenor…
MaryRuth Lown, soprano, holds degrees from Winthrop University…
A full-time singer and music teacher, Emily Shusdock directs the…
A versatile performer and scholar, baritone David Rugger specializes…
Christopher Gilliam is director of choral activities at Davidson…
With her “vivid, deeply satisfying sound” and “rich, smooth mezzo…
Tenor Bryon Grohman has received international recognition for his…
Mezzo-soprano and voice pedagogue Elizabeth Eschen recently returned…
Luc Kleiner has shaped a pluralistic musical identity in Los Angeles,…
“An elegant, mellifluous and expressive baritone” (New York Times),…
American mezzo-soprano Laura C. Atkinson is an active performer in…
Praised for his “real musicality and finely executed coloratura,”…
Recognized by The Boston Globe as “a name to keep an eye on”, soprano Sarah Yanovitch has been noted for her rich sound and musical sensitivity. A frequent soloist with Boston’s Handel and Haydn Society under the direction of Harry Christophers, she recently sang the role of Belinda in Purcell’s Dido and Aeneas and as soloist in Bach’s B minor and G major masses.
During the 2016-2017 season, Ms. Yanovitch was the Lorraine Hunt Lieberson Fellow with Emmanuel Music, regularly appearing as a featured soloist. She has sung with such leading choral ensembles as Bach Collegium San Diego, The Thirteen, Yale Choral Artists, and Grammy®-nominated Seraphic Fire. Other solo credits include the roles of Cupid and Venus in King Arthur with the Henry Purcell Society of Boston, Mozart’s Mass in C minor and Handel’s Judas Maccabaeus and Dixit Dominus at Boston University Marsh Chapel, and Bach’s Mass in B minor with Masaaki Suzuki and Juilliard 415.
While earning her Master of Music in Early Music Voice at Yale, Ms. Yanovitch worked with conductors Masaaki Suzuki, David Hill, and Simon Carrington, touring as a soloist throughout the United States, Italy, France, The Baltics, India, and the UK.
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