Cantata Choir

Charles Wesley Evans

“An elegant, mellifluous and expressive baritone” (New York Times),…

Edmund Milly

Edmund Milly brings “perfect diction” (Los Angeles Times) and…

MaryRuth Lown

MaryRuth Lown, soprano, holds degrees from Winthrop University…

Sarah Towner

Ms. Sarah Towner recently graduated from Wingate University where she…

Bryon Grohman

Tenor Bryon Grohman has received international recognition for his…

Colin Burns

Colin Burns currently serves as the Director of Music for St. Alban’s…

Margaret Carpenter Haigh

Margaret Carpenter Haigh is a versatile artist, with repertoire…

Cecilia Moneta

Soprano Cecilia Moneta has over 20 years of experience in choral music…

Sara Terrell

Sara Terrell received her Bachelor of Music in composition from…

Kelsey Harrison

Mezzo-soprano Kelsey Harrison is a native Charlottean and holds…

Jay Carter

Jay Carter has gained recognition as one of the nation’s finest…

Emily Shusdock

A full-time singer and music teacher, Emily Shusdock directs the…

Steven Soph

A “superb vocal soloist” (The Washington Post), tenor Steven Soph…

Jason Steigerwalt

Jason Steigerwalt is an American baritone with an active career in…

Elizabeth Eschen

Mezzo-soprano and voice pedagogue Elizabeth Eschen recently returned…

Michael H. Trammell

A Charlotte native, Michael H. Trammell is a highly sought after tenor…

Patrick Muehleise

Praised for his “real musicality and finely executed coloratura,”…

Megan Jones

Megan Jones, mezzo-soprano, lives in Charlotte and is part of the…

Sarah Yanovitch

Recognized by The Boston Globe as “a name to keep an eye on”, soprano…

Christopher Gilliam

Christopher Gilliam is director of choral activities at Davidson…

Cecilia Moneta

Soprano

Soprano Cecilia Moneta has over 20 years of experience in choral music as a member of the Charlotte Symphony Chorus, VOX, Caritas Acapella, among many others. Her diverse choral repertoire of 100+ pieces includes major works (e.g., Bach’s St .John’s Passion, Rachmaninoff’s Vespers, Haydn’s Die Schopfüng, Orff’s Carmina Burana) and early chamber music (e.g., Vaughan William’s Serenade to Music, Palestrina’s Sicut Cervus, Tallis’s Lamentations of Jeremiah). Her voice is often described as “clear… precise… powerful…”

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